Saturday, 23 January 2016

Right Turn, Clyde

Mono image of the Clyde in Glasgow, made using a Sony RX100.

Recently, I spent a couple of days in Scotland. I was working, but I still managed to find some time for photography. Fortunately, a colleague had suggested that I take a camera with me - why this didn't occur to me anyway is a bit of a mystery, but in any case, I packed my RX100. 

On day one, I was in central Glasgow. After my meeting, I had to walk along the Broomielaw, beside the River Clyde, to the pick up point for the hire car. This was in the late afternoon and the river was very still. I made a number of images which I think are successful, like the one above.

On the second day, I was on Loch Lomond, with some time available in the early afternoon. There was snow on the ground and low cloud which added to the overall drama of the scenery. Again, I made some more images, but this time, none of them were successful.

Now, in my view this result is counter-intuitive. A reasonable person would, I think, conclude that the second day, with access to some of the most imposing scenery in the UK, would provide much greater opportunities to produce the better images.

So what happened?

There are various possibilities. The RX100 isn't the most versatile camera for landscape. And I'm not very familiar with the area I was visiting. But these have the ring of excuses and I have to face the fact that I might just be crap at landscape photography. It does have a reputation as the most difficult photographic genre - although I suspect that war reportage may be quite tricky also.

Anyway, I'll post the images from day one, in the order they were made, rather than in some sort of order of merit, as I would normally do. A sort of virtual walk along the Clyde.

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