Tuesday, 1 October 2013

Sony and Swear

When I bought my first DSLR, back in 2006, my instinct – and I base all my technology purchasing decisions on instinct - was to go with the entry level Nikon – the D1000 or whatever it was at the time. However I let my father persuade me to buy a Sony Alpha 100. To be fair, he was picking up some of the bill as a birthday present.
Recently, I've begun to doubt the wisdom of that choice. This is unfortunate, as the cost of changing camera brands is high. In my case, I have three a-mount bodies, one kit lens and two third party lenses, plus various accessories such as remote releases and the like. This may not be a vast amount of kit, but I don’t have that much in the way of cash (or time, for that matter) to devote to photography which is, when all’s said and done, a hobby.
So, what’s the problem? I'm not unhappy with the cameras – far from it.
The problem is Sony’s strategy around their two lens mounts, a-mount and e-mount. When e-mount was first introduced, it was exclusively on the mirrorless NEX cameras. At the time, I tended to see these cameras as a bit of a distraction, as I was already bought into a-mount, and I've never been good at seeing which way the wind is blowing with regards to technology or anything else. I couldn't understand why Sony would go to the expense of buying Konica-Minolta and then developing their own lens mount anyway.
However, the mirrorless camera market has boomed over the past few years, although slowing slightly at the moment, and the NEX brand has been one of the best-selling in this space. At the same time Sony has failed to make an impression in the professional market with its high end Alpha cameras.
Sony has therefore put a lot of effort into developing its NEX range – whilst, some might argue, neglecting the Alpha range. Numerous NEX models, with increasingly high specs have been introduced, until this reached its logical conclusion. When the Alpha 77 was released, alongside it was a mirrorless version – the NEX7 – essentially the same camera, at the same price point, in a different form factor. Meanwhile, the top of the range Alpha 9* series has seen only three models since the brand launched several years ago.
Perhaps I should have seen the next step coming, but as noted above, I've always been poor at predicting tech trends. Anyway, it now appears that Sony are going to introduce e-mount entry level DSLRs – in fact the A3000 has already been announced - and that these will probably replace the a-mount models at the low-to-medium end of the range. Alpha mount will become Sony’s high end, pro spec format.
That’s great, but I won’t have pro-spec money to spend when I come to replace my Alpha 77.
In contrast, Nikon and Canon have the same lens mount for all their DSLR cameras, from entry level through to the flagship pro models. So the upgrade path is relatively painless – and for that matter, so is the downgrade path.
[To be fair both Canon and Nikon have introduced mirrorless models with lens mounts that are incompatible with their DSLR ranges. But these have been me too offerings which have failed to challenge NEX and micro four thirds cameras in this space. And there is no suggestion that Canikon are going to replace the lens mounts on their entry level models with ones that are incompatible with their pro-spec cameras.]
To further confuse the issue, there are rumours of a full frame NEX camera to be announced shortly – this will leave the a-mount looking increasingly like a minority interest for the well-heeled. This appears to be another case of a company chasing new customers whilst forgetting their existing ones.
So, what do I do? Stick with a-mount and hope that it doesn't die too soon? Give up on it and go e-mount (bearing in mind that I find the NEX cameras pig-ugly)? Or abandon Sony altogether in a fit of disgust at the way that they treat their existing customers? In theory, the decision point is a few years away, but I'm thinking of buying a new macro lens and my instincts say that an a-mount lens may be a waste of money…

Saturday, 21 September 2013

I Remember California


Despite the fact that my macro lens has been returned, I'm still working through the last batch of images that I made before it broke.Of those, this is the last of image of a Californian poppy that I'm going to post, and appropriately enough, its of a seed head, the end of the life-cycle.

Previous post title: California Stars is a song recorded by Wilco for the first Mermaid Avenue album. This was one of a pair of albums that they made with Billy Bragg - of all people - which took lyrics from an archive of unrecorded Woody Guthrie songs and set them to music written by the recording artists.

This post borrows its title from another politically engaged American band's oeuvre.

Wednesday, 18 September 2013

Sigma in Successful Lens Return Shocker

My Sigma 50mm lens has been returned, repaired. I have to say that Sigma's customer service has been rather good. 

I set the lens via Royal Mail and it was delivered to their facility at 10am the following morning, according to the parcel tracking information. By 2pm, I had an email from Sigma acknowledging receipt. A couple of hours later, I had a repair estimate and I sent the authority to proceed that evening, which they acknowledged the following morning.

Then things took at bit of dip. Ten days went by before I emailed for a progress update. Fair enough, they responded the next day and I now have the lens back in my possession. And I've been charged what was estimated. 

So all in all, its a thumbs up from me for Sigma: good comms, acceptable turn-round time, charges as estimated. 

Saturday, 14 September 2013

California Stars


In a first for this blog, I've chosen to post two versions of the same image on the basis that I can't decide between them. Above is the mono treatment, below the colour. I think they both have their charms - feel free to comment on which you prefer.



In other news, this blog has reached a milestone of one thousand page views. Its taken over a year, so its nothing to crow about, more a case of perseverance in the face of indifference than anything else. I have noticed that posting anything with a vaguely American theme causes a surge in the number of hits, so these poppies have helped move things on a bit.

The previous post was titled after a song by Luna, once described in Rolling Stone magazine as "the best band that you've never heard of", which is a ringing endorsement, if ever I've heard one.

This post has another popular music themed title, with a roundabout link to one of the previous titles in this series.

Saturday, 7 September 2013

California (All The Way)


This is an image of one of the Californian Poppies that we had growing on the riverbank at the back of the house earlier in the summer. Photographing them open is the devil's own job, because they close up as soon as the sun goes in. The specimen pictured is actually closing up, so I was having to work quickly.

Yet again, I couldn't come up with a suitable mono treatment, so I'm presenting it here in glorious colour.

Anyway, the post title is another music reference, this time with an indie rock theme.

The previous post - Windfall - was a reference to the Son Volt song of that name, from their first album "Trace", which is a truly great driving record. Yet again, Mr Dart sussed it out.

Sunday, 1 September 2013

Windfall


So, here we have the first image that I've posted which has been processed through my new workflow. The main difference is that I've done away with UFRaw, and introduced RAWTherapee. In practice, I still have to process my raw files to tiff and then import them into GiMP, but the RAWTherapee interface is so much nicer than UFRaw, which hasn't been improved over the years that I've been using it. Presumably the developers have been too busy hating Microsoft to bother with reworking their UI.

Anyway, back to the image itself. This is of a poppy that we found growing in one of the troughs at the front of the house earlier this year. We left it to see what would develop, and were glad that we did. The thing was enormous - about three feet tall when I made this image. We've harvested the seeds, so we should have a few more next year.

The title of this post is a reference to the fact that this is a windblown plant, but it's also a suitably obscure music reference (clue: think alt country). Anyone who spots it will get an honourable mention on this blog.

The title of the previous post is a reference to an album track from Sonic Youth's "Murray Street" album. Props to Mr Ian Dart for spotting it. 

Sunday, 25 August 2013

Sympathy for the Strawberry


We've just returned from a week's holiday in Rhodes. However the rhythms of my photography don't neatly align with those of the rest of my life, so this image is one of those processed on my old laptop using UFRaw. It will, however, be the last of these.

As to the image itself, it was taken well over a month ago. The strawberries that we had in pots on the riverbank have been over for a while now. 

As an aside, if anyone can guess the obscure alt-rock reference of the title, they'll get an honourable mention in the next post on this blog, when the answer will also be revealed and I'll finally get round to posting an image produced by my new workflow.